The original Clash of the Titans 1981 course, the young moviegoers with a certain inevitability, but somehow corresponded to Ray Harryhausen's mythological monster but too much the films of the 60s and 70s, the Saturday evening or Sunday afternoons on TV. The beasts were too spindly and uneven, the whole fun revue much. The film seemed a rather than laggards than as innovators. Pimped nostalgia and a rather transparent attempt to hinüberzuretten the aging stop-motion animation technique to hip Star Wars era and its structures to acquire. But Clash of the Titans developed enough charm and enough fan base to the band to be in the CGI era of "anything goes" considered a remake. From a contemporary films such as Krull no pig would want to shoot a remake. Today I look at the old titanic struggle to be happy because of the attractive swan-necked Judi Bowker. As though I could actually also look Black Beauty, but it is well known for girls.
The new titanic struggle is understandable in commercial terms, but failed. The most ambitious innovation of the story is the emancipation of thought. People want to secede from the gods, which can not tolerate this. Sounds pretty good, but remains pure supposition. The idea of the figures can be also formulated as often without an adequate illustration of divine cruelty and arbitrariness is all hogwash, thought together by a 12 year old probably Treatment-developer and a 14 year old apparently screenwriter. The thought that this is not popcorn-munching, is that in a world where the gods are so obvious, and makes clear move among the people, the people to make powerful panties and seek emancipation would certainly not. The gods are sitting with their sheer power automatically have the controls.
While the original still oriented to the confusing family relationships of Olympus and its intrigues soap and does the goddess Thetis to Perseus' enemy, makes the original in the sense of generic fantasy to the conflict Zeus (moody, but good) and Hades (necessarily bad), so the youthful fantasy and the crowd just goes. Lost all respect goes from the complexity of the mythological specifications, and it uses fantasy arbitrary order. The rest is anyway trick technology-action, often confusing and not the trashy, jerky charm of the original growth. Exemplifizierbar the Medusa is the sequence in the remake is just another CGI blockbuster action Hecht scene and could appear just as in The Mummy or similar movies. The original is still enormous atmospheric Decaying Temple horror with creepy monsters and spindly appropriate slowness. And this time the Olympians look like super heroes from the chewing gum machines, which also is not necessarily an improvement on the prominent toga-makers of the original.
What remains is a nice bit of eye candy.
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