the year 2019. Ten years ago, an epidemic has turned most people into vampires. These now dominate the world, they have shaped for their purposes, and consider Normalos only as blood on two legs. But this resource is fast disappearing, and if a vampire is not receiving enough blood, it turns into a "Subside." And no one hates this Prolo-beasts from the ground more than the elegant new master race. Hematologist Dalton is supposed to develop a blood substitute, but comes with free people in contact with the amazing Auto Mechanics Cormac, who was once a vampire, after a random radical cure in the sun but is a human being again. This effect can be repeated if necessary and can be Vampire "turned around"?
One has to be grateful to send for a vampire film that just do not care the romantic wave sheared and also pursued any All-Age-goals: Daybreakers is bloody and original. The concept of the new masters (the predator) race, which has the night made the day under artificial lights and underground promenades romps, takes the snack in the subway kiosk to him and the day continues with Ultra solar filters car, is ideally suited as satire, but the film takes itself so seriously that much of it trying to come off and flat. Sam Neill, Willem Dafoe play generously at the edge of parody, but Ethan Hawke takes it all as always for pretty full. And ultimately it is still all that the Asbach-ancient-Mar of the resistance group against the System of pigs. In this respect Daybreakers is a film of the eighties.
What content as a whole that is not too impressive device comes with pretty details, which paraphrase the vampire society visually, without losing too many words they have to. Above all, keep the formal side one at the bar by the chic urban SF Design backdrop and supported by numerous filters light drama between the cold neon light that makes the faces of the bloodsuckers look even paler, and hyperrealistischem, glaring sunlight, which very pretty as is resolved into individual jets.
you can sometimes have seen.
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